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Showing posts from September, 2021

Of Making Many Books

And further, by these, my son, be admonished: of making many books there is no end (Ecclesiastes 12:12) A pdf version of this essay  can be downloaded here [*] Years in brackets refer to an individual’s or book author’s year of birth Thought experiment for the day: Anyone born 1945 would be pushing towards 80 and mostly past their prime. So name any Charedi sefer written by someone born post war that has or is likely to enter the canon, be it haloche, lomdus, al hatorah or mussar. Single one will do for now — IfYouTickleUs (@ifyoutickleus) July 27, 2022 A tweet in the summer which gained some traction asked for a book by an author born from 1945 onwards that has entered the Torah and rabbinic canon or is heading in that direction. I didn't exactly phrase it this way and some quibbled about 'canonisation'. The word does indeed have a precise meaning though in its popular use it has no narrow definition. Canonisation, or ‘entering the canon’ is generally understood to

How to Commit Abuse and Go Scot-Free

Just a short intro to the analysis that follows of UOHC Dayan Paltiel Schwarcz's responsum concerning the reporting of child abusers to the authorities . The difficulty with arguments on points of Halacha is that it is an obscure discipline which relatively few master, even in the Charedi world. Halachists will, or should, be learnéd in their field of expertise and so are able to draw on sources known only to a relatively small number of scholars and will quote from texts which are rarely indexed and often written in an oblique style that is barely comprehensible to outsiders. In the context of mesirah for child abuse, which is the subject here, or agunot and other contemporary issues, what usually happens is that "progressives" (for want of a better term in this context) and those pleading for change will fall back on broader principles rather than challenge the Halachists at all on Halachic ground. They will refer to Chillul Hashem, the laws of the land, the mora